[visited 2/10/11] I've seen the other replica of this stone in Sheffield museum and so I was extremely glad to find this ones surroundings were so nice. Just don't touch it else the illusion is shattered, which is a shame as I am wont to stroke rocks (away from any carvings obviously).
Its relationship to and siting outside of the neolithic enclosure is interesting. In fact, the whole of the edge looks to have been a ceremonial focus point for quite a long time.
Access is fairly easy after a mile or so along footpath to get to the top of the edge. In summer the way is hampered in the wood by all the bracken.
From the three men cairn cross over the wall in the only place you can and follow the faint path through the heather and birch trees, this will eventually take you to the rock art.
Though we can call it rock art, its not strictly true, fibreglass art is more accurate but less attractive.
I meant to bring some bottled water to better show off the art, but as ever forgetfulness waded into me once again and it got left behind. So what to do, I sat round for a bit, appreciated the natural beauty for a bit, but then what ?
Not wanting to depart just yet, I tried to put all the nearby heather to some good use, I stripped all the tiny flowers off and started to fill in the cupmarks, once that was done I thought it looked quite pretty, but it wasnt enough.
I then filled in the spiral and rings, now that is pretty, 42 year old men arent usually concerned with pretty, but I couldnt help myself, once I'd started I couldnt stop. From out of one cupmark came a perfectly camouflaged catepiller, I macro'd the camera and caught the bliter making for the outer ring.
I got quite a lot of sites out of just one day, stone circles and burial chambers but this is the one i'll remember most,(despite its plasicity) a most satisfying visit.
Don't let the fact that this is a replica of the original carved rock put you off. It's a beautiful reproduction.
What makes me feel comfortable about this replica is that the original rock is buried directly beneath it.
I find it curious that the artist chose to ignore the rocks on the scarp edge within the enclosure and placed the carving in this particular place in the landscape.
We've been up on Gardom's Edge before trying to find this thing, but we were in luck this time. I'd say that both the map cited in Stubob's link (below) and the directions given in the Morgans' Rock Around The Peak book are actually a little misleading, but with this being such a fragile facsimile, that's no bad thing at all. While I'm not generally for the preservation of fibre-glass, this is the nearest we've got to the original, which, as Stubob said, has been reburied to combat erosion. Hmmm indeed.
Of course, a visit to a piece of fibre-glass can be ultimately unfulfilling, but this is a very convincing copy (until you tap it and realise it's hollow, or lean on it and feel it sag) of a wonderful piece of art and its position on the edge of the woodland with views towards Nelson's Monument and the Three Ships (3 large outcrops on Birchen Edge) is superb.
I wasn't expecting to be able to find this art, given my innability when it comes to such things. Considering that this is fibre-glass, it looks excellent and I wasn't aware of its deficiency prior to tapping it. Don't touch and you won't know, unless you read this first!