Images

Image of Carn Nant-y-Llys (Cairn(s)) by GLADMAN

Pumlumon crowns the northern horizon. Incidentally, the wind farm wasn’t here last time I ventured to this ‘airy’ spot. But then that was 21 years ago.

Image credit: Robert Gladstone
Image of Carn Nant-y-Llys (Cairn(s)) by GLADMAN

Highlighting the very significant footprint of this upland cairn. The smile says it all, I think. A sun hat above Cwm Ystwyth. You what?

Image credit: Robert Gladstone
Image of Carn Nant-y-Llys (Cairn(s)) by GLADMAN

Aside from the parasitical ‘shelter’ – albeit one erected with sheep in mind, methinks – the cairn features an OS trig pillar with solar-powered transmitter – apparently assisting the local community during these troubled times.

Image credit: Robert Gladstone
Image of Carn Nant-y-Llys (Cairn(s)) by GLADMAN

Pumlumon crests the horizon...

Image credit: Robert Gladstone
Image of Carn Nant-y-Llys (Cairn(s)) by GLADMAN

I return 21 years after my previous visit: the cairn is badly robbed, but the footprint very substantial indeed.

Image credit: Robert Gladstone

Articles

A summer moment upon the Bronze Age summit cairn of Pen y Garn, Cwmdeuddwr Hills. Don’t be deceived by the blue sky... it was freezing.

Carn Nant-y-Llys

Cwm Ystwyth is pretty quiet these days... even during the height of a Ceredigion summer, with punters enjoying a brief respite from the all too necessary COVID-19 restrictions. Traffic making use of the single track road traversing the valley is ‘sporadic’, at worst, the scene primed for the shrill cry of a bird of prey – the magnificent red kite, perhaps? – to emphasise the silence by glorious exception. However, by all accounts, it was not always thus. Yeah, if a landscape can be said to be evoked by the universal language of music – and, to my mind, the gruff old ‘punk’ maestro made a pretty good case for this with the premiere of his ‘Pastorale in F major’ in 1808 – Cwm Ystwyth would surely require nothing less than a symphony to interpret its complex diversity. For me, the best place for a prospective composer to seek initial inspiration is upon the summit of Craig y Lluest at SN84997587, at the cwm’s eastern extremity, a small Bronze Age cairn cemetery assisting no end with the all-important vibe. Here, the cwm stretches away to the west, arguably as sublime a representation of scenic splendour as Mid Wales has to offer.

themodernantiquarian.com/site/19436/craig_y_lluest_cwmdeuddwr.html

The Afon Ystwyth – sourced from a series of contributory watercourses, including the Afon Diliw – begins its journey westward with alacrity... our composer considering an allegro con brio, perhaps?... the pace abating to, say, moderato as the cwm widens and dissipates some of the initial constrictive foreboding of the chasm formed by Esgair Elan and the aforementioned Craig y Lluest. Beyond this, however, the sight of the shattered flanks of Bryn Copa invokes apocalyptic notions of a bonkers Wagnerian prelude... or, at the very least, portentous Yamaha CS-80 synth chords (I’d go with the former unless Vangelis happens to be a mate). Not that it helps the ecology, granted – what’s gone is gone and it ain’t never coming back – but this industrial devastation has form. A lot of form, in fact, with silver, lead and zinc having been mined here stretching way back to Roman times, the apparent average life expectancy of miners (32) indicative of the savage disregard for human life by your progressive entrepreneur back in the day. True, time is a great healer, but nevertheless, the heart is sometimes torn asunder at the injustice of it all, isn’t it? There is more, however: evidence of copper mining by Bronze Age locals upon Bryn Copa itself and, perhaps best of all, the discovery of the fantastic golden Banc Ty’nddôl sun-disc in 2002 (cue those Vox Humana Polymoog strings, methinks).

themodernantiquarian.com/site/5072/copa_hill.html

It, therefore, comes as blessed relief to travel through the eponymous hamlet to enter the lushly wooded – including beech, so I understand – Hafod Uchtryd, ragged senses soothed by... an allegretto? Here, the B4574 to Devil’s Bridge nowadays bypasses a curious, somewhat ragged arch erected in 1810 to celebrate George III’s Golden Jubilee. Since the Hanoverian is now generally considered not to have been ‘mad’ – but rather a victim of bi-polar syndrome – it could be said, bearing in mind the extremes of the landscape itself, that the siting, a couple of years after the chaotic birth of Beethoven’s masterpiece, is actually rather apt. ‘What, what?’ Anyway, the arch stands in a ‘picnic spot which is, coincidentally, the starting point of several forestry walks... one of which happens to lead to the sentinel peak of the locale: Pen-y-Garn. Needless to say, contrary as ever, I decide, having made my way here from a wild camp upon the wondrous Pumlumon, to forgo the obvious in order to reprise a visit to the same made way back in 1999.

About a mile(ish) south-east of ‘The Arch’, just before the B4574 loops back towards Pont-rhyd-y-groes, a mountain road heads steeply to the left, arcing to the east, above Cwmystwyth village, to a prominent ‘plantation’ of trees on the right (south). Here there is plenty of space to park the car before, plastered with ‘Factor 60’ to combat the unfeasibly ‘seasonal’ Mid Walian weather, I continue on foot to where, at approx SN793754, a heavily overgrown ‘sunken track’ heads north beside a copse. Passing a ruined dwelling, ducking and diving under the impeding branches of trees as I do so, the green track continues through lush pasture to, eventually, meet converging tracks sweeping in from the right and left. The route, ‘stony’ underfoot, now begins the ascent proper, fording the cascades of the nascent Nant Perfedd, prior to cutting through a further copse and zig-zagging up Banc Myheryn. Increasingly expansive retrospective views alleviate some of the – it has to be said – relative monotony of the climb, the track making its serpentine way (one assumes those bloody Romans never ventured up here, then?) in a generally north-easterly direction to, in due course and not before time, arrive at the 2,005ft summit of the mountain.

That Pen-y-Garn (incidentally, you might also find it referred to as ‘Bryn Garw’ upon some older maps – assuming there are any pre-dating mine still extant in this digital age) is, despite being one of only three peaks exceeding 2,000ft within Cwmdeuddwr, in my estimation not exactly one of Wales’ premier mountains... one can assume to be a ‘given’. Nevertheless, there is a very good reason why I would recommend a visit to the dedicated Citizen Cairn’d, not to mention the incurably curious: it possess another small piece of the Bronze Age jigsaw of this land in the form of the shattered, but considerable remains of a funerary cairn. Not to mention a fine upland vibe... with sweeping views to the south across Cwm Ystwyth to the wilderness of ‘The Green Desert’, the watery heart of Mid Wales; west to Aberystwyth and the coast; east across brutal upland moor studded with small lakes, water sparkling in the sunshine... and, last but certainly not least, northward, the great crags of Craig Dolwen, towering above the deep, afforested defile Cwm Rhuddnant, leading the eye to Pumlumon. Herself. Hang on, that’s more than one good reason, isn’t it? Suggest you do the maths to save further confusion. As for the technical detail, Coflein notes the following:

“A ruinous Bronze Age round cairn, 15m in diameter & 0.4m high, is set on the summit of Pen y Garn. Only the base of the cairn has survived, the rest of it used to create a shelter which now occupies most of its interior. Towards its north edge, between shelter and cairn edge, is set a triangulation pilar.” [D. Leighton & T. Driver, RCAHMW, 17 June 2013]

Hmm. If I may be permitted to raise a point of order, I would dispute the assertion that the shelter occupies ‘most’ of the cairn’s interior, such is the extensive circumference of the circular footprint (making the arguable assumption that subsequent slippage across millennia has not inflated dimensions somewhat). That being said, the vertical profile of the monument is certainly minimal, at best, the considerable size of the parasitical shelter clearly indicative of heinous redistribution of material. The alternative name quoted for the monument – Carn Nant-y-Llys – suggests an association with a former ‘law court’ somewhere in the locale (unless my Welsh is even worse than my maths), although where the remains may be sited I couldn’t say at this point. One assumes – indeed, would hope – that, what with such evidence of wanton destruction to a scheduled ancient monument extant, it is not current? Perish the thought.

Silence – for the most part, anyway – reigns supreme upon Pen-y-Garn. A decent composer might be thinking ‘andante’... or not. However, obviously, this was not always the case with, as noted earlier, mining taking place on and around Bryn Copa for more-or-less the monument’s full tenure as stony sentinel of Cwm Ystwyth. To tell you the truth, it is a difficult concept to take in, such is the unfettered tranquillity. Yeah, only the eolian tones of the wind acting upon the radio antenna ‘stuck’ within the OS trig pillar (a notice states the benefit to the local community in these COVID-19 impacted times of said ‘aerial’ aerial) – combined with the rather more inhomogeneous ‘notes’ caused by my good self simply being in Nature’s way – are audible prior to the sudden arrival of two very poorly attired ‘student-types from the direction of ‘The Arch’. What they make of me, sun-bathing in full kit upon the footprint, is not evident since they immediately disappear within the ‘muppet shelter’ like, well... muppets, to hastily consume whatever it is such people eat before buggering off to once again leave me in utter peace. I mean, who would’ve foreseen it being cold upon a mountain top when it’s hot down below? I ask you?

As it happens the great cairn – or at least what’s left of it – is not the only iconic construction for the visitor to contemplate up here since, some way to the north, stands an extensive wind farm stretching across Rhestr Cerrig and Cefn Groes, like something out of that dystopian sci-fi novel Windy Miller so wanted to write after being evicted from Camberwick Green in ‘66. The sheer scale of these structures is emphasised when I spy a figure arrive at the base of one unfortunately skewed out of alignment with the others. Hey, is that a retro-styled hat and cider flagon in hand.. no, surely not? Funny thing is I’ve actually grown rather used to these wind turbines now... as long as I’m not directly beneath them... or they are located upon ‘classic peaks’, why not? Perhaps it should be up to the locals to have the final say in such circumstances, methinks?

With the continuance of such excellent weather into the early evening, I’m even more loathe to depart than usual, but there you are... in the final reckoning there really is no choice. Back at the car, following a leisurely descent, I elect to camp up for the night below Craig y Lluest. It is a wondrous spot, the Afon Ystwyth fading from sight through the entrance ‘jaws’ of the cwm, Highland ‘coos’ adding the occasional distinctive ‘vocal embellishment’ to the proceedings, harsh bovine utterances rising above the persistent ‘gurgle’ of the fast-flowing water. Once again, it is hard to reconcile what used to occur a little to the west: all the trials, tribulations, triumphs, failures.... danger, exploitation and death. Nevertheless, it is a story well worth recounting for its intrinsic human interest. All the time overseen by that pile of stones upon Pen-y-Garn...

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