Visited in May 2009, a very long time coming! Been trying to get to here for years, funny being in Wales, but sometimes you never look or visit some things nearer to you.
I found the site relatively easy to find considering I visited alone with no map reader. Parking is good for a few cars, and nice path with good gates down to the Monument itself. Seeing this in books over the years I had an image it was much bigger than it was, but the only gripe I have is that its fenced in, crap for us photographers not wanting posts and fence wire in the frame!
Do take the time to visit, I will be returning soon.
This is a chambered long cairn and the remains of its mound can still be seen. Set high on a hill, with, at the moment,(which must have been in March 2007) hundreds of sheep and lambs cavorting around, this is one of those spectacularly rocky places, with stones protruding from the ground everywhere. Soft turf and chunky stone walls add to the charm of the surrounding rather deserted countryside. The capstone looks rather like a flying saucer, elegant with two shaped orthostats framing the stone portal door, this is seen as a sophisticated design, but perhaps we are looking with modern eyes, given the chunkiness of Coetan Arthur and Carreg Samson's capstones, the ideal of beauty is in the beholders eye. Who is to say; maybe the neolithic builders felt that the erection of great heavy capstones was a work of great physical strength and prowess and deemed far worthier than puffs of the wind sailing capstones that Pentre Ifan represents.
Its capstone is tilted towards the Afon Nyer Valley to the north, the chamber being about 3 metres long by 2 metres wide. It was originally cut into the ground about 40 cms and lined with drystone walling, but has recently been infilled.
There is a blocking stone(doorway) in the forecourt area. Apparently there is supposed to be a cupmark on its outer face, but have stared long and hard could'nt find it- so I shall put it down to wishful thinking on someones part.
According to Nash it is a terminally chambered long cairn with a semicircular forecourt set in the southern end of the barrow - a Closed Portal Tomb. Glyn Daniels compared it to the so-called "horned cairns" of Carlingford in Ireland. Not surprising really its just a short hop over on the ferry to Ireland. Interestingly he also suggests that our more easterly Severn-Cotswold tomb group is derived from the Pentre Ifan type, perhaps that is why I am always drawn to this part of Wales - the sense of the familiar.
Grimes, another archaeologists who trod the ground round Somerset as well, excavated in 1936 and 1958, and he described the forecourt where ritual feasts may have been held, it consisting of two orthostats placed either side of an entrance, itself blocked by the massive 'closing' door. This door is of course speculated upon wildly by archaeologists, maybe it was open on occasions to bring in bodies that had been stored elsewhere. Maybe, it was a great chieftans tomb, with his retainers being sacrificed with him (bit dubious). Or in fact was a false door, the bones of the dead being inserted from the side of the mound, similar of course to the Rodmarton 'porthole entrance' or the Lanhill longbarrow.
The mound does not survive, but could have measured about 40 metres long by 17 metres wide. There are traces of kerbing stones, but they do not always align with the mound, and it could be linked with possible ritual pits.
Nash points to the dip in the capstone and the slope of Carningli, both point to the sea and the Afon Nyer Valley. This I could'nt see, being misty and very cold but I did find one of the fallen stones rather beautifully white with lichen and, a bit like a 'jewel 'stone, a rather rounded female stone
p.s.N.P.Figgis in Prehistoric Preseli gives another theory; there is a fallen stone, that remained in situ as the stones of the burial chamber were put up. This may have been a first phase, a single standing stone with a fire pit near to it, making this a dual mortuary site, or at least, a site that was in use over a long period but again all conjecture, with the stone being part of the first chamber building and single unembellished facade, with short mound. "The latest elongated tapering mound, and the elaborate facade covered the whole of the earlier structure".
ref; Prehistoric Preseli N.P.Figgis
Neolithic Sites - Geo.Children and Geo.Nash
It's worth getting an OS map for this area of the Welsh country side, I did because it was part of my research for my archaeology course. It is worth owning one because there are other significant contemporary monuments in the area such as Meini Gwyr and Gors Fawr stone circles a mile or two away with other standing stones, stone cirlces, 6 ring barrows and 11 barrows aswell as Iron age features scattered in this area of the country side. Many features are scattered close to the main road from Crymmych heading south.
We changed our plans to try and take in Pentre Ifan before the light went totally. We failed. By the time we got there, all the modelling light had gone, and a thin veil of haze began to fill the valley. This, however, didn't detract from the stunning location of this huge monument. It's not just Pentre Ifan itself – that's just part of it. The rest is the utterly amazing view it commands over a gorgeous valley.
To be honest, the view really did more for me than the dolmen itself. Granted, the dolmen is a phenomenal piece of engineering, but there's something about this place that needs it to be viewed as a whole. The sense of calmness was palpable, and there was a strange cathedral-like quality to the structure. . . you start thinking about its choice of location and placement, and begin imagining what it would have looked like in situ. Totally awe-inspiring. I'm definitely becoming more interested in the beliefs and engineering of these places, almost over the stones themselves, and would dearly like to be able to travel back 7,000 years to find out more . . .
I crawled about in the freshly-strimmed grass, and took some pictures, but fear that the lack of light will not imbue these shots with the required drama. Heigh-ho. :o(
The capstone sits, looking like some futuristic airship briefly docked on the uprights. My imagination was playing overtime just standing staring at it...
Late May, and after wading through a sea of bluebells, there it was. Talk about mindblown!! It is truly remarkable. Even my hard-to-please son liked it. My daughter adored it.
The capstone appears to hover over only three of its uprights, looking for all the world like some gigantic aerodynamic cuttlefish with Mynydd Carningli lurking just beyond and away in the distance, the Nevern estuary and Newport Sands. PHWOAAR! I sat and made four quick sketches from various angles just to try to make sense of this magnificent beast and capture the deepening shadows that moved around the uprights.
During the week I had in Newport, I returned here five times.
This is a fabulous site. It is another where you follow the map and think you have missed the plot only to find this Welsh wonder.
I bumped into Robin Williamson locally and I told him I had been the previous week to see these stones, he casually replied that the Incredible String band used to live near here. Of course I knew that they had made a film and part of it was here (Be Glad etc)
Amazing site! This is one special place, the setting with views over cardigan bay and an acient oak forest is something else.
This Cromlech seems to change radically from which ever angle it is viewed from, you could take photos from all directions and you would not think it was the same place. I would love to come here at different times of the year/seasons. Very atmosptheric.
I just want to say - this site has absolutely spellbound me. It's not just the size, the location, the sheep, the views ... it's the whole experience. It's just soooo huge and delicate looking, it took me 10 minutes to dare stand under it! I know it's been there for thousands of years, but believe me, when you're there it looks like it may fall at any minute, which would be an absolute tragedy. This is one site everyone MUST see.
From The Fairy-Faith in Celtic Countries by W. Y. Evans-Wentz (1911).
Our Pembrokeshire witness is a maiden Welshwoman, sixty years old.. she was born and has lived all her life within sight of the famous Pentre Evan Cromlech, in the home of her ancestors, which is so ancient that after six centuries of its known existence further record of it is lost.
[..she explained that:]..Spirits and fairies exist all round us, invisible. Fairies have no solid bodily substance. Their forms are of matter like ghostly bodies, and on this account they cannot be caught. In the twilight they are often seen, and on moonlight nights in summer. Only certain people can see fairies, and such people hold communication with them and have dealings with them, but it is difficult to get them to talk about fairies. My mother used to tell about seeing the "fair-folk" dancing in the fields near Cardigan; and other people have seen them round the cromlech up there on the hill (the Pentre Evan Cromlech). They appeared as little children in clothes like soldiers' clothes, and with red caps, according to some accounts.
--I offer now, in my own language, the following remarkable story:--The ancient manor-house on the Trewern Farm (less than a mile from the Pentre Evan Cromlech) bad been haunted as long as anybody could remember. Strange noises were often heard in it, dishes would dance about of their own accord, and sometimes a lady dressed in silk appeared. Many attempts were made to lay the ghosts, but none succeeded. Finally things got so bad that nobody wanted to live there.
About eighty years ago the sole occupants of the haunted house were Mr.------ and his two servants. At the time, it was well known in the neighbourhood that all at once Mr.------ became very wealthy, and his servants seemed able to buy whatever they wanted. Everybody wondered, but no one could tell where the money came from; for at first he was a poor man, and be couldn't have made much off the farm.
The secret only leaked out through one of the servants after Mr.--was dead. The servant declared to certain friends that one of the ghosts, or, as he thought, the Devil, appeared to Mr.------- and told him there was an image of great value walled up in the room over the main entrance to the manor. A search was made, and, sure enough, a large image of solid gold was found in the very place indicated, built into a recess in the wall. Mr.------ bound the servants to secrecy, and began to turn the image into money. He would cut off small pieces of the image, one at a time, and take them to London and sell them. In this way he sold the whole image, and nobody was the wiser. After the image was found and disposed of, ghosts were no longer seen in the house, nor were unusual noises heard in it at night. The one thing which beyond all doubt is true is that when Mr.------ died he left his son an estate worth about £50,000 (an amount probably greatly in excess of the true one); and people have always wondered ever since where it came from, if not in part from the golden image.
Maybe Evans-Wentz gets a little too carried away when he reports:
The region, the little valley on whose side stands the Pentre Evan Cromlech, the finest in Britain, is believed to have been a favourite place with the ancient Druids; and in the oak groves which still exist there tradition says there was once a flourishing pagan school for neophytes, and that the cromlech instead of being a place for interments or f or sacrifices was in those days completely enclosed, forming like other cromlechs a darkened chamber in which novices when initiated were placed for a certain number of days--the interior being called the 'Womb or Court of Ceridwen'.
George Owen in his 'Description' apparently mentions that the field in which Pentre Ifan stands is called Corlan Samson - Samson's sheepfold. Were his sheep in keeping with his own huge size? It's a bit frightening to think of one big enough to squeeze itself under the capstone.
Carn Ingli, the mountain from which the Stonehenge bluestones allegedly originate, overlooks Pentre Ifan. This whole landscape is saturated with myth.
360 degree views of Pentre Ifan in Pembrokeshire - the site requires that you have Java and active content enabled on your browser. The effect is amazing.
An aerial photo of Pentre Ifan and its environs. An unusual way of looking at such a familiar tomb. Note the earthworks - barely visible from the ground.
The same site also contains a photograph of a screen print of Pentre Ifan by Jonathan Owen.