

Morwick 2d. Faint spiral inside a ring surrounded by an arc of cups with a groove below.
A search of Lordenshaw rock-art in the Beckensall Archive gives over 100 panels ranging from small boulders bearing single cup-marks to intricately carved outcrops and long grooved slabs. Best known are the main outcrop with an ancient Ministry of Works sign and the ‘Horseshoe Rock’ both west of the hillfort and easily accessed from the carpark at the east end of the Simonside Hills.
A large number of panels are situated east of the hill fort and continue north-easterly down the ridge to Whitton Dene above Rothbury. Some 30 panels north of the NZ/NU grid boundary make up the Beckensall 6 cluster designated as North Lordenshaw in the region of the standing stone. Convenient access is from the bridge over the Whitton Burn on the B6342, 1 mile south of Rothbury.
It is an area of boulders, quarried outcrops and large flat sandstone slabs. Many of the rocks have multiple cup-marks, some with faint rings. Large basins and long channels (possibly accentuated or eloborated natural features) are also a feature similar to those futher south. Views are predominantly to the north over Coquetdale and north-west to Cheviot with Simonside largely hidden behind the long ridge which rises toward the hill fort.
Beckensall 6g. Close-up of multiple cups and the start of channels at the top part of the rock.
Beckensall 6g. Large sloping slab in an area near the junction of wall and fence that is a hot-spot for carved panels. Cups appear to be clustered around the heads of long channels.
Beckensall 6ac. A quarried slab with 4 cups, including one very large and deep.
Beckensall 6i. Close-up of basin at top of rock surface with cup and rings carved inside.
Beckensall 6i. View to N. A large sloping out-crop with 7 channels running down the surface. Some scattered cups and 3 cup and rings pecked inside one of the upper rough or natural basins.
Beckensall 6k. A small boulder with 6 prominent cups.
Beckensall 6m. Close-up of highly eroded cup and possible ring.
Beckensall 6m. Large basin and groove which may be a natural feature or added to. 3 cups nearby, two with faint eroded rings.
Beckensall 6p. An area of many rock slabs. This with 3 parallel grooves.
Beckensall 6o. A large sloping outcrop with a long groove and 8 scattered cups.
Beckensall 6n next to the earth wall, a 140x50cm boulder with 7 cups.
Fine early-Autumn evening at Lordenshaw. The Horseshoe Rock (Beckensall 1d).
Lordenshaw main panel (Beckensall 2c). View W in evening sun towards the heather-covered Simonside Hills.
Can’t beat this when it’s cold and raining.
Britain’s Oldest House? A Journey into the Stone Age
I thought I would cut through the forest to find these stones which was not a good idea. I was relieved to have my GPS in the rucksac which let me find the site and get back to the car via the path I should have followed in the first place. Caught a glimpse of a wild-cat too. Good views from the rocky knoll above the forest clearing which houses the stones.
Replica Mesolithic hut built at site of Howick excavation.
This site is included in the Beckensall archive although hadn’t been visited. I had just read the description of a bleak, boulder strewn hillside and five panels with basins. It was discovered by R Charlton and described and illustrated in the magazine of the Redesdale Society in 1983. I was expecting to find a few basins like those common as natural erosion features on fell sandstone outcrops and boulders. To my surprise the motifs are amazing, thought provoking and very unusual.
The site is close to the Pennine Way, between Bellingham and Kielder, just W of Whitley Pike. The ridge has the extensive views common to other rock-art sites and is a remote and wild place. More traditional cup-marked rocks can be found about 1km NW on Padon Hill.
Five boulders or outcrops have markings which are nearly all recessed circular dishes or basins. One of the largest curves over the bend of a outcrop on both vertical and horizontal faces like the Dali watch in his painting: The Persistence of Memory.
The excellent Charlton drawing is given in:
rockart.ncl.ac.uk/panel_detail.asp?pi=698
There is some confusion over the Beckensall Archive decsription, grid references and illustrations, and I haven’t been able to match all 5 panels. There are about 10 basins, some very faint and possibly others that are either highly eroded or possible natural features. Two of the circular features also run to the rock edges and may continue on another face like the Dali watch motif. One groove shows what may be pick marks but some of the basins look too clean to be prehistoric.
It’s all very interesting, but is it rock art? I’ve not seen anything else similar in Northumberland. If it’s not rock art, what is it? The rock has many inclusions and nearby shake holes may indicate the presence of limestone. Some of the basins appear much too finely made to be natural inclusions.
If they are man-made who made them, when and why? As usual, more questions than answers. Just another typical day out among the rock art of Northumberland.
Circular groove on small sloping boulder with possible pick marks.
Partial circlular groove disappears into turf at edge of boulder.
Close-up of circular groove showing possible pick marks.
50 cm diameter basin, draped Dali-esque over vertical and horizontal rock faces.
Whiteley(sic) Pike 4 of Beckensall Archive. Two motifs: a 50cm diameter basin draped over both vertical and horizontal faces to the left and a small 12 cm diameter circular feature with raised center on vertical face to the right. Natural geological feature or rock art?
Close-up of single circular feature on a sloping rock surface, 10cm diameter and approximately 2cm deep.
Another finely made, circular basin about 40 cm diameter and 15 mm deep that runs to the edge of the rock (under vegetation).
25cm diameter basin with raised edge on a large flat slab.
Some people from the Knockrome and Ardfarnal crofting township believed that Jura was named after two great warriors, Diu and Rah (Diura is Gaelic for Jura). These warriors fought a battle here in which they both died. Their bodies were buried at the foot of these standing stones. When you walk up or down the road, tradition says that you are “Eadar a Diura” (between the two Jura’s).
There are 9 groups of cup-marks on horizontal or gently sloping outcrop very close to the deserted village of An Carn, 50m above sea level. The settlement was cleared by 1868 according to oral tradition and now lies abot 1km from the road. It seems unlikely that the inhabitants could be unaware of the carvings so close to their houses. One cup-marked outcrop has a larger bowl-shaped carving, 20cm diameter, that may have been used for grinding corn in this modern phase. A corn-drying kiln has also been found in the adjacent woodland. The total number of cup marks is about 100. Many are highly eroded and cut through the rock strata but some examples are up to 5cm deep.
A small bay some 250m NE of the township affords one of the few safe boat landings on the NE coast of Jura. Excavation of a cave at the head of the bay produced finds of late medieval date. There is a Bronze Age cairn about 1km to the NE at Cnoca’Churn Mhoir.
This cup-marked outcrop is very impressive but can be hard to find. It is much further uphill and closer to the new plantation than described in the local book of walks and in the sketch map. My grid reference is: NR 51981 67896.
The outcrop faces E and is in a valley close to a stream junction and waterfall. 28 cup marks have been described, four at the base being unusually large, 10cm in diameter and same in depth, prominently conical in form. They are all mainly on the vertical surface of the outcrop but there are a few carved on small horizontal ledges. The upper marks are heavily eroded (about 65mm diameter and 15mm deep or smaller) and have cut through the strata of the rock similar to the single cup on the Stones of the Glen standing stone and cup-marks at An Carn. The valley hereabouts has clearly filled with peaty deposits and vegetation and there may be more marks on the buried part of the outcrop.
Prominent views are down the valley to the E, past the ancient township of Keils, the islands of Small Isles Bay and the site of the standing stones of Knockrome on the distant headland. Two km to SW are the Stones of the Glen now embedded in a new Plantation. On higher ground close to the cup-marked outcrop the Paps of Jura can just be seen over the closer higher ground.
Jura Historial Society report another cup-marked stone on the slope above Craighouse Parish Church. There is a triangular boulder with interesting markings at NR 52427 67738 which would fit this position. It lies fairly close to a cist and other cairns but I couldn’t be convinced that the deep irregular marks on its surfaces were anything other than of natural origin although not usual on the surrounding rocks.
Kiloran Bay – view to NE and site of Uamh na Mine cave.
This cave (also called Uamh na Bantighearna or Lady’s Cave) is in the headland on the NE side of Kiloran Bay, one of the most picturesque beaches in the Inner Hebrides (even in the rain). This is the centre-most of three caves, now situated well above the high water mark. Inside, it feels like early man has only just left to find some shellfish in the rock-pools below. Substantial midden remains both inside and outside the cave consist largely of limpet shells. Heres a link with the Colonsay site: Fingal’s Limpet Hammers. A drystone platform lines one side of the cave.
Below the cave a boulder bears two cup-marks carved several meters apart on the vertical SE face, 6cm in diameter and 4cm deep. You pass by this boulder as you ascend to the entrance.
One of the lower caves, Uamh Shiorruidh or Endless Cave showed evidence of its use by people of the Azilian Culture (7000-5000BC).
I had confused this with another nearby, lower cave Uamh Na Mine (see notes by Feagh below).