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For me appreciation is much more important than understanding. I read an interesting article about how society as most of us know it is predominately right-brained ie. analytical, rational calculating. In a very deep way we have discarded the left brained part of humanity as part of daily life which is probably why artists and art has polar reactions of profound appreciation or profound bafflement. We are a bit disconnected from that part of ourselves and when we see it in action we either cant 'get our heads around it' or else have an amazing irrational feeling of connection to it.

Getting to the point, its likely the societies that built these monumets were much more holistic in their approach to life, the irrational was as much a part as the rational so these monuments dont 'fit' into the modern way of thinking about the world and probably never will. Its like trying to catch fish with the rod but no line. On the other hand we have the other side of the coin where the predominately left-brained people of the world approach the problem with their own way of understanding, creativity and 'wholeness' where everything is connected and the gaps are filled by the imagination. I think ancient man had a certain blend of both parts of the brains function which is extremely rare in 2006 which is why we have polar approaches from the mystic an esoteric to the hard-edge of the analytical.

I simply stopped asking questions like what are they? and why were they built? The Iron Age sort of makes sense, but the Neolithic is weird and way beyond my reasoning powers. Maybe they were all religious nutters or maybe all that ergot in the wheat sent them crazy, but so many of their monuments seem pointless to me. So I have stopped trying to find the point of them. I can still enjoy being with them though.

<i> I think ancient man had a certain blend of both parts of the brains function which is extremely rare in 2006 which is why we have polar approaches from the mystic an esoteric to the hard-edge of the analytical.</i>

I agree!.

< Zen moment> The answer to "Why" is often found when you stop thinking.< /Zen moment>

I love the fact that no-one knows the 'why' of the Neolithic, in this age of nitpicked over-explanation for every irrelevant minutiae, I think it's great to have a mystery to ponder where anyone has the same chance of being right or wrong. Perhaps we should ask ourselves why we need an explanation, is it not enough to accept these wonderful sites simply "are".

Rune

>Its like trying to catch fish with the rod but no line.<

You've put your finger on it there Cian. There's a wonderful painting called <b>Catfish and Gourd</b> that was painted in 1413 by Josetsu (Rune may know it). The painting shows a peasant standing on a river bank holding a narrow-necked gourd and using it in a vain attempt to catch a catfish as it swims by.

The painting is an example of our attempts to achieve the possible using the impossible :-)