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I know it's been done before but as there are a few new posters here since last time it would be fun to go over it again, well i think so anyway. (And i'm bored)

To be honest i don't really have a theory, or have ever heard a convincing explanation.

With stone circles i can stretch to believe they were places of "worship". Longbarrows, cairns etc have an obvious function but rock art, bloody mystifies me every time i visit an example.

Anyone wanna throw their theory in the ring. ?

Btw, can we have a peaceful thread, just for a change. : )

No, I don't have a theory or a decent hypothesis, just a general experiment. What fascinates and infuriates me is how the boundaries of Rock Art are so clearly defined and how rock art from beyond the confines is utterly ignored. It is effectively invisible. And, no, you don't want many tedious examples, one will be enough. Earthbound boulders with simple conventional Rock Art but including an ancient bead, or beads, of fused copper. (Try getting a rock art expert to look at that!)

My suggested experiment? Whenever the conversation turns in that direction replace the words 'rock art' with 'Henry Moore sculpture'. That's the best way to understand it, perhaps ...

Here's a snippet I read a while back in a fictional work about Troy that might (if based on fact) be of relevance. There's a bit in the book where two of the characters are talking about a method of signage used by traders in the Levant during the early bronze age, where by a system of circles and lines was used to indicate if an area had been scouted out for potential custom. It made reference to things like, a circle with a broken ring meant no hostile forces, a broken inner ring meant little trade, unbroken circles meant strong defences and good trade, whilst a line running through two unbroken circles meant the area is unscouted and unknown.

Now this is probably totally made up, but you get my drift, some kind of non-alphabetic code made in permanent marker to assist travelling trade types. Personally, I think it's pretty unlikely to explain our CnRs, but it's a nice thought provoking idea :-)

For my mind, I'm still of the opinion that one of the best explanations is one of the oldest, from Mr Tate in 1853 that the carvings represent 'a common origin, and indicate a symbolic meaning, representing some popular thought, telling of the faith and hope of the original inhabitants of Britain'.

It's that single line in some cup and ring marks that cuts through (but doesn't actually cut into the rings) which is so intriguing. If that motif popped up in modern art it'd keep you puzzled and transfixed. Dunno, it's saying something - something that you can almost grasp... but not quite...

You could counter: art. so what's that all about then. ? And you can't expect to get a straightforward answer about that one either.

The few things I have read (and maybe it just says a lot about the kind of books I opt for!) suggest its all part of Shaman rituals. If you take certain hallucinogens then you see concentric rings, squiggly lines, zigzags etc.

These were (and still are in areas where there are still shamans) often believed to be the ACTUAL next dimention or the land of the dead or the spirits of wherever you were trying to get to.

When Graham Hancock took ibogaine as study for the book Supernatural he saw the exact symbols that are often seen as rock art in ancient caves such a wiggly lines, serpents and circles.

I THINK ONE OF THE MAIN REASONS, IS ABOUT FINDING GOOD CLEAN WATER(the main groupings seem to be where there's a lot of dangerous metal in the water,lllkley and kilmartin been two, drink that stuff and you'll die quite quickly) ,they also seem to be following it underground ,so a line going into some rings could be where the water comes out of the ground(its clean in these places)!!!a cup with rings could be spring water(moving water) and a cup or a cup with a ring could be still water, I noticed this at the tree of life stone ,the cups matched perfectly with the local springs, and from that spot you have the view of it all, it and the simplicity of it still blows my head now, and the great thing its very easy to check, either on foot(i could use the tree of life stone, practically) or inside using 1;25000 os maps, go see what you think, but bare in mind that us humans have diverted a lot of water over the years so it will only work in the most natural places, but remember its clean water that keeps us alive and the knowledge of where it is i think WOULD have been shared information.

Hi,
swagg.org are publishing 2 new reports today, the first one includes a new view on rock art by Tim Laurie.

The direct links are: http://www.swaag.org/publicationsTL15CFS.htm

and http://www.swaag.org/publicationsSWAAG02.htm

I hope you find them informative

Maps!

Stoned out of their minds, bored to death.

http://lovebunnies.luckypro.biz/01_stuff/04_galleries/2005-07_Tahoe/index.html

Feel free to google "grimes point" I realize this isn't UK Neolithic. Still...

A while ago I bought a copy of ‘Lost Civilisations of the Stone Age’ by Richard Rudgley (published 1998) in an Oxfam Shop. He comes at things very much as an anthropologist.
The chapter on the Palaeolithic Origins of Writing has proved interesting and a comment someone made recently has prompted me to re-visit it. Among some of the symbols discussed is the zigzag which seems to have been deliberately carved throughout the upper Palaeolithic period as an unbroken symbol. Very simply put, it seems to be accepted that the zigzag represents water; the V shape depicts birds in flight; the cross represents the yearly cycle or wholeness; and the spiral the life giving element of water.

Rudgley acknowledges and refers often to the work of Marija Gimbutas on Old Europe. I’m currently re-reading this chapter and recommend the book if you can get hold of it, here is the opening paragraph:

In seeking to explain the emergence of Old European script, Gimbutus proposed that it was part of a much wider corpus of signs that expressed the cosmological and spiritual beliefs of the Neolithic age. These symbolic designs and motifs (crosses, spirals, dots lozenges etc) appear on numerous artefacts made from bone, stone, wood and clay...

It seems to me that what ‘we’ are learning from the enigmatic clues from the past is that ‘they’ lived as part of Nature and that the downfall of ‘modern mankind’ will be that we have lost their knowledge.