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Agree fully with the first part of your last para ("..resoration..agenda..") but not the second. There are few things that can't be undone (as any Leave voter will tell you - and - no; I wasn't one of them). In respect of consensus I think there is a consensus that it never looked like it does now (hence, as you say, this is not a restoration) and I doubt there will ever be a consensus of what it did look like - but it would be fun to have a discussion/views as to what it did look like - I think there are some people on this forum with good instincts on these things. Maybe there would be some interest in generating a local consensus? I have had my two pennies worth on the matter (quartz half-lozenge set in mound surface; water-rolled granite border/perimeter) so I will keep quiet for now but if we are going to do it I am conscious that this is "the internet" and I have already been called extreme (moi?) so to avoid this degenerating into abuse we need some rules:- I would suggest three rules and one advisory for any contribution as to the original design.

Rule 1 - No divine intervention
Rule 2 - No alien intervention
Rule 3 - Requires only neolithic technology/knowledge

The advisory would be that any proposal should offer a reason for the relative abundance and as-found distribution of the granite and quartz. I do not think this can be a rule because, really, we do not know that the relative abundance/distribution found in the 20th century is the same as the relative abundance/distribution in the neolithic era - it would not be the first time that some particular stone had been preferentially robbed (or redistributed) by later peoples.

Look forward to other's two pennies worth.

Well I wondered about Wayland's Smithy, which was restored in the 1960s, see the 'before' photo @ http://www.themodernantiquarian.com/post/146363/waylands_smithy.html

and how it looks today, James Dyer said "There seems to have been a rather more formalised 'restoration' in which the flanks of the barrow were sharply revetted to form walls. "

It looks good today, a truly 'romantic' interpretation of a long barrow but it has been visually altered by later hands, but then as it had two phases in its construction should we complain or allow history to add other layers of interpretation?