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I've seen medium format prints enlarged to quite a size that looked truly stunning and would certainly make that statement ring true, but on the other hand I dont think you can make a judgement like that based on jpg' of scans of prints on a PC monitor. Techically its gone through the digital process as much as any digicam or 35mm image on the web. I read on a webpage about his work that he finishes most of his images in the digital darkroom too. I think there might be a bit more read into what people use to capture the image than the finished jpg you see warrants. I would bet my Nikon it would not be possible to tell a Large format scan and a pic from a Canon 1Ds in a jpg at that resolution as far as detail and tone goes.

Thats not a comment on his pics which are tuly fantastic and jaw-dropping, just an observation on the conservative nature of photographers and viewers of photographs. Surely the most conservative artform medium ever!

"I would bet my Nikon it would not be possible to tell a Large format scan and a pic from a Canon 1Ds in a jpg at that resolution as far as detail and tone goes."


Here's an old comparison

http://www.luminous-landscape.com/reviews/shootout.shtml

While I disagree with Pete that you can't get the quality with digital, it seems prohibitively costly and arduous for all but the most moneyed photographers to shoot in the field with medium format digital. I was at the Focus show at the NEC this week, the 22mp digital backs are stunning slapped on a Hasselblad, nice at 16000 quid...

At work we have a drum scanner and scan 6 x 6's all the time so trust me I know my stuff. Now the Phase One stuff, in contrast, has no grain or dust...

But I like grain and dust!