|Amerside Law Panel 1
This panel is located in a small clearing within a densely packed conifer plantation. When Andy and Hob rediscovered this panel it was covered in a thick, dense mat of woodland crud which they spent a considerable amount of time clearing.
The panel is located on a rock outcrop; views from the panel are currently non-existent. If the plantation was removed, the main viewshed would be across the Till Valley to the distant Cheviot and surrounding hills.
The carvings themselves are much worn and were described by Stan Beckensall in the 1970's. It was not possible to locate all of the features included in Stan Beckensall's drawing of the panel. It appears that during the intervening years, a section of the carvings have disappeared completely, possibly due to damaged by forestry vehicles during the planting of the conifers.
Initially the carvings were quite difficult to make out, tracing their outlines with water helped bring the panel to life revealing a complex set of motifs. For me, one of the striking features of this and other panels is the asymmetrical nature of a number of the motifs. By this I mean that you have a large channel or double channel enclosing a number of cups, however, the cups are not evenly distributed but occur in one sector of the enclosed area or may even lay across the enclosing channel. This has always interested me, it is obviously a deliberate act and my personal opinion is that this strengthens the case for attaching a specific meaning to the motifs as opposed to purely an abstract design.
This post appears as part of the weblog entry Amerside Law
Posted by fitzcoraldo
13th March 2008ce
Edited 13th March 2008ce