Drawn in the late 19th century.
Image credit: Mr George Tate
Hob
Drawn in the late 19th century.
Image credit: Mr George Tate
I hate wet bracken, especially when it’s shoulder height.
Image credit: IH
An attempt at visualising the stone in a more free-range setting
Image credit: IH
The beginnings of Sewingshields crags in the background, to the south.
Image credit: IH
The outlier, looking east. It’s probably been moved.
Image credit: IH
This is what they look like from the road. Minimalist.
Image credit: IH
Small portable with a single cup, in the same patch of trees.
Image credit: IH
One of ther natural holes on the outcrops under the powerlines. Inspiration for the rock art?
Image credit: IH
The earthfast boulder with the motifs, looking to the north.
Image credit: IH
Paint has been added, in a reasonably understated fashion, to enhance the pattern.
Image credit: IH
Relocated rock art, in a church. Possible cist cover.
Image credit: IH
Explanatory note above the stone, detailing it’s relocation.
Image credit: Anonymous
Apologies for the rectangular stones in the pic. I blame that bloody great wall nearby.
Image credit: IH
Dubious provenance, allegedly this stone once stood uncarved, at the entrance to the henge a few metres away.
Image credit: Ian Hobson
It’s quite cosy, but the roof leaks, and there’s chalk graffitti, otherwise It’s a nice gaff.
Image credit: Ian the Hob
Who needs cup marks when you’ve got unpeckable sarsen close at hand?
Image credit: IH
The view from a position hovering about 8ft above.
Note: Levitating at Scheduled Monuments is against EH guidelines, and will be punished by forceable removal of the offender’s monpod.
Image credit: Hobson
I think this would be the middle one, but it’s so messed up, it’s difficult to say.
Image credit: IH
A rather poor attempt at photographing a ditch that doesn’t do it justice.
Image credit: IH