Callanish sunset
Watercolour painting (c) 2006
We took to the sanctuary of the tiny Nine stones stone circle, sheltered beneath the branches of a spectacular mature beech tree, with massive fungus colonies sprouting from its roots. It’s a very sweet stone circle which was perhaps used by both local people and travellers using the trackway that is now the busy A35.
Some tosser or tossers has chosen to decorate the monument with flowers. One bunch, still wrapped in its sellophane, had been left at the base of the tree. Another bunch had been placed in a log vase in the centre of the circle, around which was arranged some twigs to form the arms of a reversed swastika. Perhaps the same tosser who did this scratched the graffiti at the Hellstone?
Two things: 1. How come the people who apparently have enough ‘respect’ to lay flowers as some kind of offering at an ancient monument, can’t be arsed to respect the 1. environment by taking their sellophane wrappings aways with them? and 2. the feelings of other visitors for who the swastika means nazism and is therefore deeply offensive? You can be sure that the swastika twigs did not stay very long! Moth unwrapped the flowers and took away the sellophane to dispose of correctly.
I do love a dolmen. The Hellstone is one I’d wanted to see for some time as in the photos I’d seem it looked so tortured and in a very unusual position. When I actually saw it yesterday it all made sense at last. On a field boundary, near a gate and a pond, this dolmen has been horribly mucked about with during an ill-considered restoration. Stones huddle together like fingers in a clenched fist supporting a single lumpy capstone. It’s all wrong! But it’s all right, too, because at least it’s up. It’s up and someone actually gives a toss. The monument still has power.
Like all ancient monuments with chambers I have to get inside. This one is tall enough for me to stand up in with loads of headroom. Some tosser had scrawled graffiti on one of the stones inside the chamber- a reversed swastika. A pox on them.
As Moth whizzed around taking photos, I made a very quick sketch before my hands got too cold to continue. The more I drew the more it reminded me a lot of Crucuno dolmen in Brittany.
a quick scribble before my hands seized up with cold
Our first stop was The Grey Mare & Her Colts – the remains of a once-mighty Neolithic long barrow. Sheep were basking like lizards in the winter sun as we arrived. They hardly even budged as we climbed over the gate and over them to get into the field. The Grey Mare & Her Colts is a bit of a wreck but I have seen enough trashed burial chambers to be able to ‘read’ what is left of the stones. The swelling of the barrow is very pronounced and the portal stones are very large indeed. Up here the views stretch for miles and sounds of the countryside quietly seep into your soul...
Just two fields away from The Grey Mare lies Kingston Russell stone circle. The world’s leading authority on stone circles, Aubrey Burl, didn’t put this circle in his definitive field guide to British stone circles which has caused much puzzlement in the amateur antiquarian community over the years. I wanted to see the stones for myself, especially as Moth said he liked it so much.
Sadly not one of the stones stand any more, but there are lots of stones to see, perhaps 18 of them, some really quite big lying on the ground next to the place where they once stood. The circle’s diameter is about 15ms (I’m quite bad at guessing these things). This would have been a real beauty. And actually, it still is. The internal space is still clearly marked out and although the drama and life was destroyed by whoever pulled the stones down, the circle is not yet dead. I liked it a lot. The farmer had just been and mowed carefully round the circle and the place smelled fabulous.
Re-erect them stones!
johnpiper.org.uk
This and other works by John Piper are on permanent display at:
Wiltshire Heritage Museum
41 Long Street, Devizes, Wiltshire, SN10 1NS
wiltshireheritage.org.uk/
I like the Devil’s den sneaking in on the far right of this pic!
Trellyffant, by John Piper, from his 1978 series ‘Stones and bones‘
johnpiper.org.uk
painted in 1977 by John Piper (1903-1992)
johnpiper.org.uk
painted in 1977 by John Piper (1903-1992)
johnpiper.org.uk
Stonehenge painted by John Piper (1903-1992)
johnpiper.org.uk
Avebury painted in 1936 by John Piper (1903-1992).
wwwjohnpiper.org.uk
View from West Kennett longbarrow painted in 1944 by John Piper (1903-1992).
wwwjohnpiper.org.uk
Cleo, Rupe and me stand by the stone most appropriate to our heights. I’m standing next to the cock stone.
our own little fairy princess for scale. She’s 5’ 9”. The dolmen can’t be more than 6’.
check out that weird standing stone and those ghastly concrete lintels! Yuk!
there it is up there on that headland...
Photo of an aerial photo on the information board! Nice, innit?!
Approaching the tomb, past the cricket pitch we disturbed perhaps 25 pheasants – cannon fodder for the local shooting club. And then you see it! What a fabulous tomb, but once again sadly screwed by thoughtless restoration. Jesus-H-Christ-on-bike, what do they think they’re doing lobbing in some ugly timber pitprops to hold up the capstone? Indeed, does it really need holding up? I think not. Surely a clean single metal bar lurking behind the portal stone would have done the trick. Instead we get enough timber to build a new cricket pavilion. Great stones. Great spaces. Lovely looking thing. Great atmosphere. Crap rafters.
Hadn’t seen anything like this before: three gorgeous pointy stones, arranged quite close together in an triangular ground plan. They looked like three characters just hanging out having a conversation. It was almost impossible for me and my sprogs not to get in among them and lurk around them, moving from stone to stone. This pissed the hell out of the two photographers in our party.One stone looks extremely phallic. This cannot just be my smutty mind as it is very cock-like indeed. Don’t bring your god-fearing maiden-aunt here! Some beautiful views over towards the elegant wind turbines from here. So much nicer than the hideous aluminum smelting plant on Holy Island.
Jane’s Law of Dolmen Visiting states: “Thou shalt make every effort to enter the chamber and grub about in it”. Lligwy is especially good for this although at first glance you wonder how the hell you’re going to get in. The entrance is small and requires a hands and knees approach. But once beneath the gigantic capstone weighing 25 tons it feels light and spacious as if it’s hovering above. It’s not. It’s held aloft by lots of uprights and once you’re in, the ground sinks down below you. There’s even a comfy megalithic bunk to lie down on to avoid the mud. We loved it despite being caged in by yet another set of ugly, pointy railings.
On a wild hillside covered in gorse, brambles and blackthorn lurks this beauty. Like Mulfra Quoit in Cornwall, the capstone has fallen back dramatically. It’s constructed of the same puddingy type local stone as Lligwy, which isn’t very beautiful, but it is very white and looks good. It was fairly tight in there, but Rupert and I had to squeeze in. That’s the law with dolmens, isn’t it?
Argh! Another example of hideous restoration! Whichever pricks decided to use pillars of bricks to hold up capstones need their brains concreted. I suppose I should be thankful that the capstone is still up but this beautiful chamber has been very badly damaged by it’s repairs. You can get a view of it where the brick pillars are not visible and that is certainly worth enjoying.
This pair of weird whoppers stand strangely straddling a rusty gate. They are enormous! One’s quite flat and perhaps 18 feet tall and the other is dumpy, but make no mistake, they’re Big Mothers! The notes say they may be what remains of a stone circle, but I’m not sure I buy this theory. These are just too goddamned gigantic for that and too close together for the proportions to make sense. A burial chamber perhaps, but not a circle surely. Check ‘em out for yourself. They’re ace!
I’m a sucker for a neat little dolmen, so I was always going to love Bodowyr, for it is as pretty as something as sweet and fluffy in Faeryland. It’s caged in behind a nasty fence you can easily climb over. I suspect the railings are to protect the dolmen from the resident herd of cattle in the field. The herd including large mean-looking bull were completely disinterested in us. For those who are a cattle-shy, you could always leg it the 50 metres across the field and retreat behind the fence surrounding the dolmen if they approached.
Today we also had the protection of a 12-year-old son equipped with very loud cap gun.
A stunning grassy mound within a small henge, in all but proportion, just like the green sombrero of Maeshowe. Even my kids fell for its charms, not least because you can get inside and grub around. There’s an intriguing standing stone inside the chamber, which must have been built around it. There are also two really nasty, ugly concrete lintels shoved in during restoration, which made me a bit cross. The ditch of the henge is, unusually, lined with large stones.
A fiver deposit got us the key from the Wayside stores in Llanfaelog, just one mile north from the chamber. And then with a stiff westerly blowing, we walked up the headland from our cottage to Barclodiad-y-Gawres. Right on a headland sticking out between two gorgeous beaches this chamber has much to recommend it.
I zipped inside quickly not least because it offered blessed relief from the wind. A couple of stones have swirls and zigzags carved onto the rocks reminding me a little of Gavrinis. I even liked the concrete dome protecting the internal chamber from the weather and allowing vistiors to view the entire construction. However, this was the only instance of Welsh restoration that I liked. But more on that story later.
If you get the chance, walk round on the cliffs to the south of Barclodiad and Cable Bay. The views of Barclodiad are wonderful and while you’re here look out for the merlins, wagtails, oystercatchers and whinchats!