This was the second panel of rock art on the itinerary of the Rock Art Meet 2007. The bushes meant that only three or four people could visit at a tme, so the viewing was done in shifts.
It tripped off the continuation of a discussion that’s been bubbling for a couple of years now, due to the way in which the complex three lobed motif at the centre of the panel emerges from a substantial natural cleft.
If there is anything in the theory that natural features, particularly fissures/clefts, influenced the choice of the rock to be marked, then the subsequent placing of motifs, then this panel is a good example.