Book Of Seth

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Another great review Seth. I've heard a smattering of Li's output since you hyped the VagusNerve cd. I snagged the last cd of this one on bandcamp (sorry not sorry), but digital as always available in perpetuity.

I love that though we can always champion the guitar frontiersmen of the past, we can also appreciate those who are still exploring. Classic riffs are fine and everything, but anything psychedelic in nature can keep changing not only our minds, but the musical landscape, well after any cheap drugs wear out their welcome.

I also saw he has a new lp coming out in March, his 2nd only vinyl offering.

https://echodelickrecords.bandcamp.com/album/soul-solitary

Citizensmurf,

Many thanks, man. I hope you get as much out of it as I did (and still do.)

Another new release? Excellantay! Apparently, VagusNerve are working on a third album, which I'm sure will be mind-blowing thing, given the past two releases and where Li and Wei Wei have been for the past several years.

Thanks for the feedback on the feedback!

Another couple singles reviews from Seth posted this week. I must admit I have never checked out The Move, and was completely ignorant of their transition into ELO.

As for Sly, I'm well versed in the discography, but Thank You is proabably one of the first Stone tracks that made me sit up and pay attention. I'd probably heard "Dance to the Music" and "Everyday People", but in high school I bought a boxed set via the shopping channel that was an overview of Rolling Stone magazine for their 25th year. (https://www.discogs.com/master/3192993-Various-The-Rolling-Stone-Collection-25-Years-Of-Essential-Rock) which included Thank You.

Being geographically isolated from any record store (small town Northern BC), my outlets for new (and new to me) music was Muchmusic, Rolling Stone + Spin, and any mail order catalogue I could get my hands on. I bought this box to hear some more of these classic songs without having to buy every album. I later made a comp of my favourite tracks, including Thank you.

One day during lunch break, I was serving a detention in class, and asked the teacher if I could play some music while I did homework. As soon as the opening bass notes of Thank You hit her ears, she stopped the tape and told me to never play anything else. What possibly was so offensive that made her accept the MC5 and Jefferson Airplane but not Sly?

It was many years later that I found some vinyl copies of Fresh, Stand and Riot to play in full, but Thank You always holds a special place to me.