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The lost sounds of Stonehenge ​…

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GLADMAN G
GLADMAN Jan 8, 2017 12:10:34
Replying to spencer

spencer wrote:
Irresppective of whether Stonehenge was a case in point, and with reference to the comment below about hearing the sound of drumming coming from WKLB, the hypothesis that our forebears created, on occasion, places with a deliberate auditory element to them, or utilised caves and other geological features with that facility remains valid. They were very probably greater sensualists than we are, to our detriment, appreciating what the natural world had to offer, be it sound or visual, for example auroras or the sun and moons reflections in water filled cup or bullaun stones. We should recognise, appreciate and respect that, and not deride.
By definition prehistory is all about personal interpretation in the absence of absolutes. In lieu of time travelling architects/priests from the past explaining their visions I reckon the prime tool we have to try and visualise why monuments were given the form they possess, why they were placed in the landscape as they are... is to go and visit them and report back. Perhaps experiences at certain sites with certain properties will correlate allowing tentative theories to be constructed.

If the basic assumption that prehistoric monuments were erected as focal points for human interaction beyond the normal is accepted, it may also be accepted that they were intended to imbue certain behavioural characteristics in visitors through manipulating/exploiting the way folks think... to control them, if you like. An obvious example from my experience is erecting a funerary cairn on a mountain top ensuring intense sensory perceptions are a given. The impact of light, or lack of it, forcing visitors to crawl along passageways... to experience an electrical storm upon a mountain top is guaranteed to have a massive impact. Yeah, sound. Sound is a major facet of our sensory perception so it would surely be pedantic and churlish to dismiss the possibility of it being taken into account by the original designers of some monuments, where the peculiar landscape or architectural circumstances allowed, merely because we can't be 100% sure what the monument originally looked like?

In my experience it is a fact that some sites possess a far more intense vibe than others... for me. There are many contributing factors such as personal well being on the day, the weather, light, time of year. I've been to a number of sites where to move but a few feet one way or the other has invalidated quite specific views, where quite intense and distinctive echoes are no longer present. It can not be proven that these aspects were intentional; but then again by what authority can it be stated that they were not intentional? As with all theories we need a body of accumulating evidence to support the notion that auditory elements played a contributing role to human experiences at prehistoric sites. To my mind the best way of getting that is to get out there and put them to the test.

N nigelswift
nigelswift Jan 8, 2017 12:30:22
Replying to GLADMAN

GLADMAN wrote:
It can not be proven that these aspects were intentional; but then again by what authority can it be stated that they were not intentional? As with all theories we need a body of accumulating evidence to support the notion that auditory elements played a contributing role to human experiences at prehistoric sites. To my mind the best way of getting that is to get out there and put them to the test.
The same applies to views and alignments. We shall argue forever on here about intentionality as no-one can prove individual cases. But in all instances the way forward is mass observation to see if there's a tendency that points to intentionality. Sandy Gerrard's work on stone rows is a shining example.