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Littlestone wrote:
Evergreen Dazed wrote:
Went along to this on Tuesday. Absolutely stunning.

Hard to take in to be honest, even as you are staring at the objects. I've since been thinking about the circumstances under which some of these were created, the possible reasons, the kind of life those people led and what those pieces of art meant to them.

Strangely, perhaps, considering the other wonders on offer, my favourite piece was a small fish, made of bone c13,000BC, from Lespugues, France.
But it was all fantastic.

If you're thinking of seeing it, its on until 2nd June and the site says advance tickets are sold out but some may be available on the door. Worth investigating that possibility as its a superb collection.

Yup, you’re right, it is hard to take in... close, but so far removed from ‘us’ - and that’s the puzzling bit maybe.

Just out of curiosity, how did you feel about the inclusion of the ‘modern’ art items? Were they relevant in the context of an art of the Ice Age exhibition do you think?

They held no interest for me personally whatsoever and apart from the briefest of glimpses, I totally ignored them.
I think I can see what the intention might have been in including them, but it failed to connect in my opinion.

It felt a bit like somebodys idea for an essay, if that makes sense. And I don't much like being led to make those sort of comparisons, it felt weak and didn't link anything beyond the obvious visual similarities.

Evergreen Dazed wrote:
It felt a bit like somebodys idea for an essay, if that makes sense. And I don't much like being led to make those sort of comparisons, it felt weak and didn't link anything beyond the obvious visual similarities.
Nicely put ED – my sentiments exactly.

Visual similarities from other, present day (or at least relatively recent) cultures could have been pulled in as well but you’d still have to ask why do it, what’s the point? It only has validity if culture A is (strongly) influencing culture B and you want to clearly show that influence. Here (the Ice Age art exhibition) the motives behind creating the prehistoric objects on show and modern pieces of art are so far removed one from the other that to somehow draw a meaningful connection, or a relationship, is nonsense. I’d even go as far as to say that trying to establish such a connection does, at worst, denigrate those objects from our distant past and, at best, is patronising.

As you rightly say, “I don't much like being led to make those sort of comparisons.”