Alderley Edge 3
Image by echo_unit

Rhiannon wrote:
oooh thank you!! how superb. Thank you, Moss.

I was just reading something about his work the other day
http://awfullybigblogadventure.blogspot.co.uk/2013/05/why-colin-cant-remember-reflections-on.html

" it is the landscape itself, its history and prehistory, that furnishes the element of wonder [to his work] that [his] legendary borrowings supplied before"
and
"in those countries where .. order is not breaking down - we collude in the communal self-deception that we have everything under control, that it’s all sorted, pretty much. What Garner reminds us, as writers, is that our task is to open a crack in the walls of that complacency, and let in the light of wonder."

Knew you would enjoy it Rhiannon, Garner is so totally at one with his environment, even the way he arrives at a story. The blogger, John Ward is perfectly right, 'Boneland' walks away from the children and the past, it is almost disjointed. But what of course it captures, is the parallel world of the modern Jodrell Bank and the Neolithic/Bronze Age world stargazing and trying to make sense of our environment.....

Thanks for the link Moss. I am big fan of Garner too.

Megaliths, microliths, burial mounds, sacred caves and stone tools feature through out all his works. In Boneland, his evocation of the prehistoric imagination is very convincing.

He has also proved something of a seer - writing about a spirit beneath Lindow Common long before the discovery of the peat bog man and being instrumental in the recognition of the mines of Alderley as the oldest prehistoric metal working so far discovered.

Interestingly, he believes that there are significant prehistoric finds yet to be discovered beneath Lud Church - based on intuition.