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The lintels (the top stones) at Stonehenge were joined together using another woodworking style: tongue and groove.

As an aside, it is interesting that you bring Stonehenege into a discussion of Gobekli Tepe. According to a recent book called Turkish Stonehenge, Gobekli Tepe and Stonehenge are very much related. A study by a University in England (U. of Leicester, I believe) focused on DNA and found that 80% of the white males in England can trace their heritage to the Anatolians who migrated there thousands of years before Stonehenge was built. These farmers won favor from the women of the hunter/gatherers, and their genes have been passed from father to son. The idea is that the decendants of the builders of GT built the stone circles in Europe.

GodfatherND wrote:
The lintels (the top stones) at Stonehenge were joined together using another woodworking style: tongue and groove.
And the uprights stub tenoned and morticed to the lintols!

Hi GodfatherND (and welcome to TMA :-)

Sanctuary, or someone more au fait with jointing techniques, can probably clarify what’s going on at Stonehenge, but my understanding is that, “...mortise-and-tenon joints secure lintels to supporting sarsens, while tongues similar to toggle joints link each lintel in the outer circle to its neighbor." (Elizabeth L. Newhouse, ed. The Builders, Marvels of Engineering. Washington, D.C.: The National Geographic Society, 1992. p205).

The point I was trying to make (not very clearly I’m afraid) was that the mortise-and-tenon joints are (as would be expected) more rounded, less angular, as they are in woodworking. Apart from the extra effort involved in producing angular wood-type joints in stone there would just be little to be gained in doing so. The converse is true – wood lends itself more easily to angular working.

I think it’s always been assumed that the mortise-and-tenon joints at Stonehenge were imitating a woodworking tradition. What I’m suggesting is that it may have been the other way round – ie that the mortise-and-tenon joints that we are now so familiar with in woodworking may have followed on, not preceded, a much older stone-based technique.