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Visited here on 13th Jan 2009. There's not all that much to see at the moment, as someone has added to the clearance heap, so now a pile of angular blocks obscure the motifs.
It didn't look as if the block dumping had damaged any of the motifs, though as stated, it's difficult to see them all. I'm assuming this outcrop isn't managed by the same folks who own and manage Fowberry Park, as they are well aware of the carvings on their land, and would seem unlikely to treat a marked outcrop so carelessly.
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"Ancient rock art baffles experts"
From the point of view of two of the D&NRAP stalwarts.
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The Nuardiag presents Martin Wainwright and photographer Christopher Thomond watching the sunrise at Castlerigg stone circle during the winter solstice, mostly audio stream but with jpeg slideshow thing to accompany.
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Plan to fell North Forest Plans are afoot to fell the plantation around the circle over a period of 3 years. A decision is expected early in 2009. More details can be found on the Journal's website, here.
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Photos of 4 Zealand Dolmens
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Some nice photos of the stones
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I'm wondering if this account is speaking of the destruction of the same monument:
At Mayborough they dug up a brass celt. On the other side of the Eimot, upon a high ground overlooking all, is a very fine round tumulus, of a large size, and set about with a circle of stones: this in all probability was the funeral monument of the king that founded the temple and circus. Someone has lately been digging away part of the barrow, and carried off some of the stones, and demolished others. Later in the same text, Stukeley adds:The great barrow accompanied with stones, by the Eimot side, is called Haransley hill. Stukeley, Iter Boreal, 1725
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In addition to the quote given by A.L. Lewis in Rhiannon's post below, the missing part of Stukeley's description can be found in his Iter. Boreal of 1725:-
On the south side of the town of Shap, six miles south of Penrith, we saw the beginning of a great Celtic Avenue, on a green common. This is just beyond the horrid and rocky fells, where a good country begins. This avenue is seventy foot broad, composed of very large stones, set at equal intervals: it seems to be closed at this end, which is on an eminence, and near a long flattish barrow, with stone works upon it: hence it proceeds northward to the town, which intercepts the continuation of it, and was the occasion of it's ruin; for many of the stones are put under the foundations of houses and walls, being pushed by machines they call a betty, or blown up with gunpowder. Though it's ourney be northward, yet it makes a very large curve, or an arc of a circle, as those at Abury, and passes over a brook too. A spring likewise arises in it, near the Greyhound inn. By the brook is a little round sacellum, composed of twelve stones, but lesser ones, set by one great stone belonging to the side of the avenue: the interval of the stones is thrity-five foot, half the breadth of the avenue: the stones, no doubt, did all stand upright, because three or four still do; but they were not much higher then, than now as fallen, because of their figure, which is thick and short: they are very large, and prodigiously hard, being nothing else but a congeries of crystals of very large sizes, of a flakey nature. Houses and fields lie across the track of this avenue, and some of the houses lie in the inclosure: it ascends the hill, crosses the common road to Penrith, and so goes into the corn-fields on the other side of the way westward, where some stones are left standing; one particularly remarkable, called Guggleby stone. The people say these were set up by enchantment: and the better sort of folks, as absurdly affirm, they are made by art. I doubt not but they are gathered somewhere off the surface, among the fells, and that there was a great temple of the old Britons, such as that at Abury, which it resembles very much, as far as I can judge at present; for the rainy weather, which in this country is almost perpetual, hindered me from making at this time a thorough disquisition into it.
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I like the Prehistoric Rock Art of Northumberland:
Ketley Crag
Chatton
Weetwood Moor
Dod Law
Roughting Linn
Lordenshaw
Fowberry Cairn
Hunterheugh
Old Bewick
Morwick
Currently obsessed with waving torches at things, often including rocks, as a prelude to some serious waving of torches at rocks that will inevitably appear here on tma at some point :)
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