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Tikis at the edge of the world – part one

Short film of tikis in French Polynesia here:

The French Polynesian islands of the Marquesas, make up the archipelago farthest from any continent in the world, lying more than 3000 miles from Mexico. Being so remote and isolated for so long, the islands are home to rare flora and fauna. The archipelago was first colonised by people in about 100 AD, probably by Samoans. The people remained neolithic – that is, without metal tools - until the arrival of Europeans in the 18th century. During their long isolation they developed a culture as unique as the islands' species.

Moth and I visited the Marquesan island of Hiva Oa in early February 2009, arriving on a tiny Twin Otter at Jacques Brel airstrip outside Atuona, the island's main settlement (population about 1,500).

There are two reasons why I wanted to make the long trek out to this remote and savagely beautiful volcanic island. One was the artist Paul Gauguin who lived, worked, died and is buried here. Gauguin's paintings of Tahiti and the Marquesas are largely responsible for the way we perceive French Polynesia today and I wanted to see for myself how much of his vision was fact and how much was fantasy. Gauguin couldn't help but to include in his paintings the mountains, the sea, shady pandanus trees, fruit, dark-skinned women and the giant Marquesan tikis - large stone carvings of humanoid forms.

Some archaeologists believe it was Marquesans who originally colonised Easter Island, taking with them their habit of erecting giant stone tikis, but on Easter taking it to frenzied, massive extremes. Certainly the tikis on Hiva Oa are the largest in the Pacific outside of Easter, and to my eyes have stylistic similarities.

Tehueto
Our first taste of Marquesan archaeology were the Tehueto petroglyphs, ma'ae (sacred space) and pae pae (traditional meeting platform or stone floor). It was a powerfully hot and humid walk down a muddy trail through the lush Faakua valley where trees dropped their fruit uneaten to the ground and up a steamy hillside.

Despite the vagueries of the map we'd been given and my doubts about walking into the forest without a guide, on a slope beneath towering volcanic cliffs, we managed to find a massive boulder 5ms long and perhaps 3ms tall and thick on which were carved seven or more large bas-relief lizards or some such creatures – a totem animal perhaps?

A little further up the track we arrived at the overgrown ma'ae, once the site of a large bustling community. All that remains are monumental dry-stone platforms of huge volcanic stones, arranged into platforms which were once the bases of houses.

Banyan trees and a dense tangle of roots, branches and leaf litter made the site difficult to interpret, but we spotted stones which had once been used for polishing stone axes and knives…

…cup marks, used in the preparation of oils and tattooing dyes; and behind a huge tree trunk, a carved face peeped out:

Smiling tiki
I never did find out the Marquesan name of the smiling tiki, but our host guided us there down a narrow track in the steaming forest just outside Atuona.

It's a small stone rather phallically-shaped in a tiny valley clearing flanked by banana plants. The carving on the face is crisp and clear.

Strangely, it looks like it's wearing specs. He had little hands around his waist and attractive Marquesan style swirls on his face, probably representing the tattoos that Marquesans are so fond of.

Taaoa
The archaeological site at Taaoa is vast.

It's a complex of rectangular enclosures, platforms of large volcanic black stones…

…terraced walls and ritual areas, testament to the advanced civilisation which built it, which was killed off by European diseases in the 18th century.

The rainforest is doing what it can to reclaim the site: great banyans and huge breadfruit trees, as well as grapefruits, papayas, avocados and palms surround the site, though the central ma'ae is cleared and felt to me like a sports pitch. We noticed a number of stones which had clearly been used as polissoirs, with deep grooves for sharpening stone tools. We also noticed lots of cup-marks:

These little pits had been made over generations for preparing inks for tattooing – our guide showed us how leaves and the ash extracted from certain fatty nuts were used to prepare the inks.

Climbing up through the site on stoney paths we headed towards the well-preseved tiki at the back of the site.

Unfortunately as I was preoccupied in trying to avoid getting eaten alive by evil Marquesan nono flies I forgot to ask the guide about the human skull that according to my guide book was hidden in a stone structure near the tiki. The tiki face is not as well preserved as the smiling tiki's but you can see a smile nonetheless.